#how much harder we have it etc

[savcir-faire]

In times of absolute horror and destruction I wish for you all the transformational creativity of an utterly beautiful madness, and I offer you the blessing of a holy human freak.

she was such a queen for this

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[marsbotz]

not going to lie i do find it quite upsetting that so many ppl think that animals that arent immediately relatable to humans are completely incapable of thought or feeling. and thats the only thing that matters when it comes to animal rights arguments a lot of the time

[hirazuki]

I love watching failed cuts videos, so thought I'd post some of my own!

My training partner and I are getting back into tameshigiri after a long time away, and aiming for one session every week or every other week to keep up for practice. My kesagiri has gotten pretty consistent in terms of success rate, so I'm working on kiriage now.

Cutting is lots of fun and lots of failures XDD

[aparticularbandit]

Also like.

If Junko were actually a player in a Danganronpa murder game.

She would function a lot like Kokichi is functioning. With more charisma, of course, because that is Junko's highest Stat, but like.

Lies. Misdirects. Knows things. Is bored and wants the game to be more entertaining. Thanks Monokuma when something's cool. You're never sure what side she's on.

Functionally. Junko would play the same way.

Just, you know. With more Junko. Like, 100% more Junko.

[toytulini]

i feel like the makeup standards are not necessarily going to get Worse, just. stay the Same. "raised by sephora and ulta" christ alive yall act like this shit is new. as if this hasnt been the standard to blast young girls with makeup ads and shit via magazine and tv and imposed beauty standards anyway. the only real difference is like, idk, accessibility of tutorials for how to apply it well

[hella1975]

choked up in my room rn bc i was sat in the car with my mum completely lost in thought and she out of nowhere went 'are you okay?' and i was like 'yeah? why?' bc i was totally fine i was literally just thinking and she let it go and then five entire minutes later she goes 'are you sure? have i done something?' and she sounded so genuinely anxious and i could tell she'd been thinking about it the entire 5 minutes while id been completely oblivious and i spent so many years as a child letting everything bottle up until it all burst out in a messy and ugly breakdown that took her down with me and despite that she never hated me she only ever blamed herself for not seeing the signs and she's never been able to see my signs because i keep everything to myself and it terrifies her that she might miss something and she handles things poorly when she's scared and she gets too angry but fundamentally she's trying her absolute hardest to be a good mother and it wasn't always enough and i know i have to hold her at least partially accountable but also she's my mum and im her daughter and she always just wants to know if im okay and most of the time im not and somehow that feels like ive betrayed her

[faaun]

i feel conflicted abt my relationship...need advice etc . in tags . pls i need input sm

[13eyond13]

.

[mrfoox]

.... I feel bad bc my friend is sad ) :

[ectoplasmer]

Today in sociology we did an assignment where we had to read through statistics about marriage, reasons why people get married, divorce rates, views on how certain couples influence children, etc. and then we had questions at the end that had more to do with how *we* felt about marriage and what we thought about the other things brought up in the article and when I tell you it lowkey physically hurt to write out how I didn’t really care for marriage. good god

[indigodawns]

.

[notanotherblorbo]

The problem with having friends is that I want to hang out all the time and do things for 1 million years but I am also. Tired. And having a job. And having a family that has a bunch of shit going on all the times.

[the-cooler-king]

Oh yeah..... midnight gospel be hitting.... sitting in my bed fuckin. Crying. Get a grip girl

[thedarknessthatloveindespite]

today was such a good morning u know. i had slept. GOOD NIGHT SLEEP N ALL. i even got up and got breakfast for me n my mom. I ATE. I CLEANED THE DISHES I USED. i even changed out of the shirt i was wearing for over a week! very productive. wait omg i forgot to mention. I ACTUALLY REALLY HAD PUT MOMS CLOTHS THAT WERE DONE IN THE WASHING MACHINE IN THE DRYER. I have to say. forgetting everything else, this is such a phenomenal act for me. it’s like fcking idk a meodorite fallen down. ITS A REALLY BIG THING. doing that is soooo hard for me. and i always have an immediate ‘no’ body reaction to the whole act but i didnt just fall into it. i like. toook a moment, you know and actually accessed it. and ! literally tho if mom told me i had to put some clothes in the dryer that would have been too much for me

BUT

anyways. i literally fcking did it. fcking hells

ANYWAYS it really was such a good morning day you know. baby steps!!!! and yeah u know i really do know that i dont do enough as i should etc. i really do know. its just really frustating how my mom doesnt see anything of this tho. yeah she needed someone to go n get the glasses and im really sorry for her but going outside was literally too much of a hurdle for me to just do. especially on short notice. like. really. my mind cant even think of trying it. visualling it

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.